Dave sent over a strangely haunting and intriguing photograph of a rather aged orchid. My first thoughts when studying the photograph were that the position of its petals reminded me of human limbs, with the graceful poise of a ballet dancer. This vibrant image contrasted with the obvious onset of decay and I felt that the orchid was dancing and dying.
At the time I had been watching the awful news about the Boston Marathon bombing atrocity. The fairly explicit filming of trauma with so many people losing limbs reminded me greatly of my days as a critical care nurse in the Intensive Care unit. The noise of the vast array of technical equipment in an ICU can be almost deafening and any search of Critical Care literature will reveal that on recovery patients have reported the experience as akin to torture. Many suffer Post Traumatic Stress Disorder. Sometimes we have to ask whether we are extending the living or the dying. When it came to writing a poem in response to Dave's photo the issues of 'moral' and immoral 'assault' combined with the 'dancing and dying' theme and resulted in the following poem- 'Intensive Care Cantata'.
Intensive
Care Cantata
This
bizarre orchestra beats staccato tuneless tunes
for far
too long.
The
noise goes on and on.
Strings
sigh discordant notes through tubes
to my
unyielding lungs
and the
plucking percussion of the inotropes
preludes
the monitor’s song.
Allegro.
The
woodwind moan of toxic blood
hisses
through filters
and
comes back cleansed, to my heart
that
beats a battuta,
then
counts the broken chords.
Quietly
now,
at
last,
the
doom laden boom of dark brass begins,
Allargando.
The
riotous choir of red alarms starts to sing,
Altissimo.
Crescendo.
Frantic
hands work on this withered skin
and
wasted frame.
Again.
They
will not let me be.
They
won’t stop trying.
But
finally I’m free,
see how
I’m dancing.
Now I’m
dancing
and
dying.
After sending Dave the poem he told me that
the photo is called 'The Dancer' and is from a series entitled 'Faded Glory'.
He notes in his blog …
'I titled the ensuing photograph The
Dancer being a literal description of what I saw, what I was trying to
represent with the photograph. I think I also chose the title, at least
subliminally, to help viewers understand what was represented. My tutor for
PWDP once commented that I should not worry too much about producing conceptual
work as it is surprising how many people will understand the intent but
I suspect that I am still nervous that my intentions will be
misunderstood.'
I think it's fair to say that he need have no
worries on that score!
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